Scanning Color Negatives with Eversmart Pro Scanner using Eversmart Scan

Scitex/Creo Eversmart series scanners are phenomenal SCSI scanners but depending on the version of the scanner you have, you may not be able to upgrade to the Oxygen Scan software that provides ability to scan in 16 BIT RAW. If you have Jazz, Eversmart or Eversmart PRO version of the scanners, you’ll be limited to Eversmart Scan software on Mac OS 9.2. I have this combination myself and after many hours of extensive testing, I have found the best settings for scanning Color Negative film.

Installing Scanner Profile and AdobeRGB ColorSpace

1st Step is to make sure that have correctly installed the Transparent Scanning ES Pro scanner profile “TR ES ProII.icc” profile in ColorSync. To install this profile, simply copy and paste the TR ES ProII.icc file from the Eversmart Scan folder to the System Folder -> ColorSync Profiles folder.

See screenshots below as reference.

Setting up Eversmart Scan Settings

Once the profiles have been installed, select them from the scanner Setup Dialog window while scanning. See screenshot below as reference.

Also, I find the below settings for the End Points produce best scans that are very compatible with ColorPerfect plugin.

As you can note in the screenshot, I have mine saved as Portra_ES_Test so I can easily select this setting for all of my scans from the main Setup Dialog window. Make sure that Graduation is set to Default and Sharpness has been turned off. Once you have these settings, scan and save your Tiff file.

Make sure you also do the following in PhotoShop before starting to work on your scan.

  • Convert the file to 16 BIT
  • Convert to ProPhoto RGB (Optional)
  • Go through the normal ColorPerfect plugin steps ūüôā

Eversmart Pro Sample Scans

Here are some sample scans made with this process.

Doolin Village, Ireland

Corcomroe Abbey, Ireland

Palm Tree

Coconut Trees

Scanning Color Negatives using Epson Scanner and ColorPerfect Plugin

Here is a quick and easy visual tutorial for scanning color negatives using Epson scanners (v700 in this example) and ColorPerfect plugin.

Setting up Epson Scan for Positive Scans

Select Configuration button at the bottom of the main screen in Epson Scan software and update the settings based on the following screenshots.

Click OK when you are done with the all settings in the configuration window.

From the main window, select the File Save Settings (small icon to the right of the Scan button) and configure the settings to match the following screenshots.

Please make sure that the Embed ICC Profile is selected.

You are now ready to start scanning.

Keep the following notes in mind when you are scanning using Epson v7xx or v8xx Scanners:

  1. Try to start with a DPI setting around 1200  Р1600.
    I have noticed that the contrast reduces with increase in DPI after approx. 2000 DPI and it makes the inversion process more difficult.
  2. Always hit the Reset button after you have selected your scanning frame.
    You do not want Epson Scan to apply any post processing other than scanning with the selected Gamma and Continuous Exposure setting from earlier.
  3. Make sure that all software processing settings (unsharp mask, grain reduction, and etc.) have been turned off.

Use the following screenshots as a reference to make your scan.

Notice the increase in brightness due to the automatic adjustments applied by the software when you selected the scanning frame.

Click on Reset to remove all of these auto adjustments. See screenshots for before and after clicking on the Reset button below. The Reset button should be grayed out.

Your preview should show normal exposure after the Reset button has been clicked. Again, see the screenshot below as reference.

At this point, go ahead and click on Scan and save the Tiff file.

Processing Scan in Photoshop using ColorPerfect

Please note that ColorPerfect works with various versions of the following photo editing software: Adobe Photoshop, PhotoLine and Adobe Photoshop Elements for PC & Mac
More info can be found at: http://www.colorperfect.com

Open your scan in Photoshop.

Let’s convert the scan to Adobe RGB profile which works best with the ColorPerfect plugin. From the Edit menu, select Convert to Profile and follow the screenshots as reference.

Once the file has been converted to Adobe RGB, remove any film rebate by cropping the image. This helps ColorPerfect get the best conversion as a starting point. You can experiment with including the film border once you have mastered the basic workflow.

Start ColorPerfect by selecting it from the Filter menu.

You will need to setup¬†default settings for ColorPerfect the 1st time you use it.¬†The settings to change are directly under the “Start” area on the top-right of the plugin. Make sure that these¬†are set to ColorNeg and ‘L” for Linear and Adobe 1998 (profile we converted to earlier). If you do not see these options, click on [<<] icon on the top-left to bring back the default starting point.

Also uncheck all options on the main layout with the exception of BP Trails. Set BP Trails to .005 as the default value.

Once this has been setup, select the correct Film Brand (Kodak in this example) and Film Type (Ektar 100 in this example) from the drop-down selections at the bottom. You should see a very good inverted scan at this point with white balance still off.

Click on a neutral white or gray area on the image to auto select white balance and viola! You should have a pretty darn good scan with minimal effort so far. This is why I love ColorPerfect and I am sure you will too ūüôā

From this point on, it’s all a matter of personal preference.

Here are few things that I typically go through to finalize my scan.

Based on this scan, I can tell there is a slight cast to the image. Let’s use Photoshop’s one of the many magical algorithms to quickly eliminate it.

Select CTRL + ALT +B -> Auto Color to remove cast.

Here is what Photoshop selected in this case. Review and update if you like but I mostly just click OK at this point.

Here is what the scan looks now. See, we are making progress ūüôā

Now lets apply a Contrast Curve (CTRL + M) to taste. I try to select two points on the histogram. 1 for Shadows and 1 for Highlights.

Here is the latest preview. I could just stop here but I want to show you a few other tricks that I use.

One of the most powerful tools in Photoshop for photo editing is the Camera Raw Editor. Select it from the Filter menu or use the CTRL + SHIFT + A shortcut.

Purely based on taste, I adjusted the white balance to add some “coolness” to the scan by adjusting the Temperate and Tint sliders¬†under the White¬†Balance settings. Keep in mind that Ektar 100 is a highly saturated film and it always scans that way when I use a drum scanner. However, Epson scans tend to reduce the saturation which you can easily add back using the Vibrance slider.

Add Vibrance to taste.

Click OK. Here is what our the scan looks like now.

At this point, I am very happy with this scan. I typically add a white or black border to finalize the scan. Here is the final image!